{"id":114,"date":"2015-10-01T19:26:14","date_gmt":"2015-10-01T19:26:14","guid":{"rendered":"http:\/\/projektraumfn.com\/?p=114"},"modified":"2015-10-17T17:00:53","modified_gmt":"2015-10-17T17:00:53","slug":"jim-denomie-paintings-catalog","status":"publish","type":"post","link":"https:\/\/projektraumfn.com\/index.php\/2015\/10\/01\/jim-denomie-paintings-catalog\/","title":{"rendered":"Catalog &#8211; Jim Denomie: Paintings"},"content":{"rendered":"<p>[x_section style=&#8221;margin: 0px 0px 0px 0px; padding: 45px 0px 45px 0px; &#8220;][x_row inner_container=&#8221;true&#8221; marginless_columns=&#8221;false&#8221; bg_color=&#8221;&#8221; style=&#8221;margin: 0px auto 0px auto; padding: 0px 0px 0px 0px; &#8220;][x_column bg_color=&#8221;&#8221; type=&#8221;1\/1&#8243; style=&#8221;padding: 0px 0px 0px 0px; &#8220;][x_text]Selected paintings from 1995 \u2013 2015<\/p>\n<p>Essay by Christopher Atkins, Notes on \u201cCasino Sunrise\u201d by Katrin Seglitz<\/p>\n<p>Hardcover 148 pages with 60 color digital printed images<\/p>\n<p>200g photo matt paper, 21 x 21 x 1.9 cm<\/p>\n<p>In German \/ English, Printed in Germany, Translation by Katrin Seglitz<\/p>\n<p>Edition of 100[\/x_text][x_blockquote cite=&#8221;Christopher Atkins &#8221; type=&#8221;left&#8221;]&#8221;All of this is to say that Jim has a long view of history. And it\u2019s the best kind of history, since it\u2019s infused with equal parts artistic influences and cultural legacies, expressed by an artist who wears it all on his sleeve. When he pulls back, cranes up, and unfurls the view in historical narratives such as \u201cCasino Sunrise,\u201d he creates a busy scene of fact and fiction. Of course it\u2019s unreal. But one quickly sees how creative exaggeration, what Jim has referred to as \u201cmythological narrative,\u201d is one of his best weapons. By using it here, like his favorite Surrealists, he is better able to bring stories from the past into contact with a present where some things, unfortunately and amusingly, have not changed. &#8221;<\/p>\n<p>[\/x_blockquote][x_blockquote cite=&#8221;Christopher Atkins translation by Katrin Seglitz&#8221; type=&#8221;left&#8221;]Festzustellen ist, dass Jim einen umfassenden Blick auf die Geschichte hat. Und sie ist im<br \/>\nbesten Sinn Geschichte, weil sie k\u00fcnstlerische Einfl\u00fcsse ebenso enth\u00e4lt wie das reichhaltige kulturelle Erbe, das er mit sich herumtr\u00e4gt und bei Bedarf aus dem \u00c4rmel sch\u00fcttelt. Wenn er &#8211; wie ein Kameramann &#8211; erst zur\u00fcckf\u00e4hrt, dann die Vogelperspektive einnimmt und seine Ansichten in historischen Narrativen entfaltet wie in \u201eCasino Sunrise\u201c, gestaltet er eine lebhafte Szenerie aus Fakten und Fiktion. Nat\u00fcrlich hat das alles nicht genauso stattgefunden. Aber man erkennt sofort, dass diese Art der \u00dcbertreibung, die Jim als \u201emythologisches Narrativ\u201c bezeichnet, eine seiner besten Waffen ist. Indem er sie ebenso einsetzt wie die von ihm favorisierten Surrealisten, gelingt es Jim, die Geschichten der Vergangenheit in Kontakt mit einer Gegenwart zu bringen, in der sich vieles \u2013 ungl\u00fccklicher- und l\u00e4cherlicherweise \u2013 nicht ge\u00e4ndert hat.[\/x_blockquote][\/x_column][\/x_row][x_row inner_container=&#8221;true&#8221; marginless_columns=&#8221;false&#8221; bg_color=&#8221;&#8221; style=&#8221;margin: 0px auto 0px auto; padding: 0px 0px 0px 0px; &#8220;][x_column bg_color=&#8221;&#8221; type=&#8221;1\/1&#8243; style=&#8221;padding: 0px 0px 0px 0px; &#8220;][x_feature_box title=&#8221;Catalog&#8221; title_color=&#8221;&#8221; text=&#8221;<\/p>\n<p>Published by ProjekTraum l\u2019Atelier Glidden Wozniak 2015&#8243; text_color=&#8221;#383838&#8243; graphic=&#8221;image&#8221; graphic_size=&#8221;400px&#8221; graphic_shape=&#8221;square&#8221; graphic_color=&#8221;#ffffff&#8221; graphic_bg_color=&#8221;#2ecc71&#8243; align_h=&#8221;center&#8221; 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src=\"http:\/\/projektraumfn.com\/wp-content\/uploads\/2015\/10\/catalogpages_denomieE.jpg\" alt=\"catalogpages_denomieE\" width=\"1200\" height=\"600\" srcset=\"https:\/\/projektraumfn.com\/wp-content\/uploads\/2015\/10\/catalogpages_denomieE.jpg 1200w, https:\/\/projektraumfn.com\/wp-content\/uploads\/2015\/10\/catalogpages_denomieE-450x225.jpg 450w, https:\/\/projektraumfn.com\/wp-content\/uploads\/2015\/10\/catalogpages_denomieE-600x300.jpg 600w, https:\/\/projektraumfn.com\/wp-content\/uploads\/2015\/10\/catalogpages_denomieE-300x150.jpg 300w, https:\/\/projektraumfn.com\/wp-content\/uploads\/2015\/10\/catalogpages_denomieE-1024x512.jpg 1024w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>[\/x_slide][x_slide]<a href=\"http:\/\/projektraumfn.com\/wp-content\/uploads\/2015\/10\/catalogpages_denomieE3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-163\" 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&#8220;][x_text]Selected paintings from 1995 \u2013 2015 Essay by Christopher Atkins, Notes on \u201cCasino Sunrise\u201d by Katrin Seglitz Hardcover 148 pages with 60 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